workshops

our multi-disciplinary workshop series is a monthly virtual gathering, designed to deepen your thinking-and-making process. inspired by our living room ethos, each session moves between seminar and reflective prompts. 

for those seeking a regular meeting space to tend to their creative practice — in community.

 we meet the last saturday of every month.

23 CHF/MONTH

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the series

A diagram of a typewriter with labeled parts, including platen knobs, paper support, and carriage release lever, accompanied by instructional text explaining the device's functions. The title reads "rituals of technology"

w.1.2 rituals of technology

date: february 28th at 18:00 CET | duration: 2.5 hours 

how do we intentionally dialogue with technologies? this session will investigate historical chapters when technological inventions re-shaped artistic abilities and simultaneously raised ethical considerations. introducing reflective approaches for formalizing technological use within your creative practice, and how we may relate to machines with greater skill and attention to detail. what a typewriter is to poetry; what hand illustration is to animation; what 18mm is to filmmaking. 

thinking-with: Robert Duncan, Hayao Miyazaki, Ana Vaz

A vintage black and white photo of a woman with short curly hair, standing with her arms outstretched in a playful pose, dressed in a dark dress with a white collar. Overlaid text includes: 'march 28th | 18.00 CET,' 'w. 1.3,' and 'RESEARCH(ING) AS CURIOSITY,'

w.1.3 research(ing) as curiosity

date: march 28th at 18:00 CET | duration: 2.5 hours 

for intellectual wanderers interested in the art + spirit of research, where intuition, methodology, and practice intersect to create new pathways for thought-full storytelling.  we will emphasize cross-disciplinary and multi-media strategies for creative and independent scholarly work, with a focus on citational politics as a restorative practice. how does research become a form of listening, activated through sensing, reading, and writing? how can research restore our forgotten/erased intellectual lineages?

thinking-with: Alice Walker, Zora Neale Hurston, Sara Ahmed, Max Liboiron, errantry media lab

Image of a high-rise building under construction in a city, with yellow text overlay reading 'scaffolding of mind', the date 'April 25th 18:00 CET',

w.1.4 scaffolding-of-mind

date: april 25th at 18:00 CET | duration: 2.5 hours

scaffolding: “how cities are built, how buildings are constructed, and also how thoughts are organized. the materials that enable the building of things.” what are the materials/matters that enable your thinking? scaffolding-of-mind is an awareness tool that softens us towards a more relational act of reading + thinking. we will name how extractive culture operates through automated/assumed patterns of exchange, and open up the possibility for forming new pathways of creative dialogue with our intellectual ancestors, rooted in depth, detail, slowness, and attention.

thinking-with: James Baldwin

A black and white photo showing a group of children and adults sitting on the floor under a large woven lampshade. The children appear to be engaged in an activity, with one child holding a small object. The text overlay includes details about a project titled 'Making Living Room' and indicates a date of May 30th, 18:00 CET.

w.1.5 making living room

date: may 30th at 18:00 CET | duration: 2.5 hours 

from the familiar to the abstract, the concept of  “living room” has long traversed cultural and linguistic boundaries. inspired by poems from June Jordan’s 1985 book Living Room, we will consider the domestic sphere as a geo-political center for speculative possibilities. reflections on gendered associations; rhetorics to justify land grabs + settlements; aesthetic + social ideals. how does the domestic move within + beyond the home as a form of civic engagement?

thinking-with: June Jordan, Ruth Asawa, Tracey Emin, June Jordan, Mierle Laderman Ukeles

A sandy surface with scattered small stones and broken pieces of ceramic or porcelain. Text overlays include event details: 'June 27th | 18.00 CET', with the main title 'An Ethic of Sand' in large yellow letters.

w.1.6 an ethic of sand

date: june 27th at 18:00 CET | duration: 2.5 hours 

understanding sand is not dissimilar to the experience of trying to tightly hold it in our hands; the stronger our grasp and certainties about it, the more it slips through our fingers. sand is matter that challenges and erodes the social constructions and scaffolding with which design(ing) often manifests, and is predicated on. In this workshop, we will sit with the uncertainty + malleability that sand challenges us to think through, opening up questions about how to collaborate instead of “use” materials in a creative practice.  

thinking-with: Ariella Azoulay, Stacy Alaimo, Robert Macfarlane, Donna Haraway, William Cronon

A colorful illustration of a coastal town with winding waterways, boats, and houses, with the word 'SPIRALISM' overlaid in large yellow letters, and the date 'July 25th 18.00 CET' in the top right corner.

w.1.7 spiralism

date: july 25th at 18:00 CET | duration: 2.5 hours

Spirialism questions the order of things. the Haitian phenomena and literary movement emerged during the 1960s Duvalier regime, when political oppression and chaos re-invented writers’ conceptualizations of time, meaning, and relations. these ontologies + epistemologies challenge our assumptions around storytelling arcs– how history gets recorded, and how stories can open us to non-logical ways of knowing. we will situate this genre-agnostic movement within the contemporary political landscape, and engage in a Spiralist writing workshop together.

thinking-with: Frankétienne, René Philoctète, Jean-Claude Fignolé, Kaiama L. Glover

A collage of colorful, hand-drawn sketches and illustrations depicting various abstract and imaginative scenes. Overlaid with yellow text reading 'w.1.8 ARCHEPELAGIC THINKING' and additional text noting August 29th, 18:00 CET.

w.1.8 archipelagic thinking

date: August 29th at 18:00 CET | duration: 2.5 hours 

the island is not isolated— it is always in creative exchange with other islands, which represent other cultures, languages, and ways of being. first conceived by Martinican writer Édouard Glissant, archipelagic thinking calls forth a Caribbean ontological impulse– to consider the scattered and diffracted nature of islands/sea in relation to each other. in this workshop, we will read sections from “The Black Beach”, a chapter from Glissant’s Poetics of Relations, where a singular sand-seascape inspires reflections on the fate(s) of Caribbean prosperity. 

thinking-with: Édouard Glissant, Suzanne Césaire, Aimé Césaire, Wifredo Lam 

An underwater scene with two zebra angelfish swimming above coral, with text overlay announcing a co-authored workshop on September 26th at 6:00 PM CET, with additional details.

w.1.9 co-authored workshop

date: september 26th at 18:00 CET | duration: 2.5 hours

to be announced—

Green promotional poster for a co-authored workshop, scheduled for October 31st at 18:00 CET, featuring a sketch of a flower with a long stem and large petals, and includes text with workshop details.

w.1.10 co-authored workshop

date: october 31st at 18:00 CET | duration: 2.5 hours

to be announced—

Event poster for a co-authored workshop scheduled for November 28th at 6:00 PM CET, including details like the website w.1.11 and featuring a minimalist design with a tree, geometric shapes, and a stylized animal illustration.

w.1.11 co-authored workshop

date: november 28th at 18:00 CET | duration: 2.5 hours

to be announced—

Green graphic design with spiral patterns, text overlay promoting a co-authored workshop on December 19th at 6 PM CET.

w.1.12 co-authored workshop

date: december 19th at 18:00 CET | duration: 2.5 hours

to be announced—

our next workshop is: w.1.2 rituals of technology

saturday, february 28th at 18:00 CET | 12PM EST

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previous workshops

w.1.1 archival materialisms

date: january 31st at 18:00 CET | duration: 2.5 hours

discover how to deepen your creative practice through the material reading of archival research, a process that holds the ability to challenge our assumptions around knowledge and its production. focusing on archival literacy beyond the academic scope, we will introduce conceptual frameworks for approaching the future-past-present through material, memory, and media. how do we read archives with a heightened perception of their material being(s)? 


thinking-with: Saidiya Hartman, June Jordan, Etel Adnan